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The loneliness of “I Want You Back” comes through despite the lost-robot vocals. But the songs are still pop, catchy and tinged with yearning just under the snappy surfaces. Miles runs his voice through Auto-Tune to give it an inhuman tone.
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Sparks represented by two songs she partly wrote: “Faith,” which she unveiled at the Commander-in-Chief Inaugural Ball, and “The Cure,” which (alas) has nothing whatsoever to do with the British alternative-rock band. Moments like these faintly contradict the side of Ms. And an accusatory brief called “It Takes More” suggests the coltish chilliness of Rihanna. (Let the Music Play),” evokes the brazen dance-pop of Lady Gaga. Intriguingly, the music on that song, and another club track, “S.O.S.
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On “Emergency (911)” the humiliation of being stood up for a date is cast in histrionic crisis-services terms. Sparks applies an epic scale to her endeavors. Like all of those righteous and beleaguered touchstones, Ms. Benatar is of less use to her than Beyoncé, or her “Idol” predecessor Kelly Clarkson, or even Celine Dion. She sounds vexed but in control, and undaunted by the copyright interests of Pat Benatar, who preferred her battlefield metaphors in declarative form. “Why does love always feel like a battlefield?” she wails, with remorse and rebuke, on the album’s title track, a Top 40 single. Sparks, now a worldly 19, has her principles, including a stake in overblown emotion. “Battlefield,” her expertly constructed second album, upholds a darker, more experienced tone without losing an ounce of melodrama. Her self-titled debut sold more than a million copies on the strength of four hit singles, each a gust of teenage wonderment or torment. More sparks please Jordin.Jordin Sparks entered the first phase of her pop career as an ingénue, winning “American Idol” with bright talent, bubbly charm and a willingness to learn. Beyonce, Rihanna and fellow Idol star Jennifer Hudson. Ultimately, this'll go down well with Sparkplugs (her official fanbase) but won’t hold its own alongside the diva talents of her rivals, e.g. Maybe a rumoured collaboration with Timbaland on his Shock Value 2 disc will help. What this album really needs is more edge and less sugar. She is on tour with the Jonas Brothers so she clearly embraces cheese, but she did promise more upbeat dance tracks after her ballad-heavy debut. The biggest offender being Was I The Only One which contains several shuddering breaths and seems to have borrowed its melody from Aqua's Barbie Girl, of all things. She's like an unstoppable hybrid of Rihanna and JLS.īut that's a rare gem amongst a LOT of schmaltzy balladeering. The most modern and edgy of the lot is Emergency (911) with super slick production under lyrics summing up the teenage obsession with love and mobiles: ''You know my ringtone, why don't you answer the phone / Emotional starvation, I need resuscitation''. There are echoes of LeAnn Rimes in the fantastic chorus on The Cure and a cheeky electro-ed sample of Shannon's 1984 hit Let The Music Play is about to win a whole new bunch of fans as SOS. She shines on current pop rock single Battlefield while Let It Rain builds from a church organ to an unbelievably rousing anthem. The result is some unashamedly great pop songs. The writing and production credits are stellar and include man of the moment Ryan Tedder - the One Republic frontman who wrote Leona Lewis' Bleeding Love and Beyonce's Halo. Interesting that there's room for those two but no space for her biggest UK hit thus far – the duet No Air with the now-notorious Chris Brown. The question is, with two further Idol winners and our own Leona Lewis now in the market, is she still America's sweetheart?Īs well as twelve new tracks, Battlefield contains 'bonus' tracks Tattoo and One Step At A Time from her first album. 17-year-old Jordin was the youngest ever Idol winner and public support showed in sales: a million copies in the US and a Gold certification in the UK. Battlefield is the second album from 2007 American Idol winner Jordin Sparks, the follow up to her self-titled debut from the same year.